Hi, I'm Rachel Hills.

I'm a London-based (via Sydney, Australia) writer, researcher and contributor to publications including the Sydney Morning Herald, Cosmopolitan, Glamour, Marie Claire, The Atlantic, Girlfriend and more. I'm also writing a book about Gen Y, sex and identity. This is my blog.

I'd love to hear from you. Submit a question to my Ask Rachel column here, send me an email here, connect with me on Twitter here or find out more about my paid work at www.rachelhills.net.

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Nuance aside, whether you’re playing yourself or a wink-wink persona, the law of cameo syllogism goes as follows: if you spend a certain amount of time playing yourself, you are no longer yourself but playing a version of yourself—a stereotype of you. Add a bonus layer if you are playing a stereotype of you in a fictional scene in which all the fictional characters are outraged by the possibility that the fictional (or fictional fictional) characters in a fictional book published by a real publishing house might be based on the actual real fictional selves they’re playing.

Sloane Crosley guest stars on Gossip Girl and talks about it, hilariously.

See also: her tale of interviewing Chace Crawford, asking him to “fuck, marry, kill” a Backstreet Boy, and then breaking her tape recorder.

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